Finals Essays on the Arts

1

 


 

A place in my heart  

Payton Martins


“Cat With Red Fish” was created by Henry Matisse in 1953. Henry Matisse was a French artist known for his vibrant art work and primarily worked with paints. This piece captures a yellow cat on a blue table by the window reaching into a fish tank with three red fish. The blue table has yellow and orange fruit on it. The window reveals a grassy yard with orange mountains in the back and plants. It depicts natural elements in vibrant colors such as yellow, red, green,and blue. In a nutshell, the artwork is a colorful depiction of a curious yellow cat and three red fish.

When selecting a meaningful work of art, I thought about my mothers side of the family and their artistic connection. With several professional artists on her side, she is also a naturally skilled artist. Minoring in sketched art in college, my mother learned about many artists. Her favorite artist is Henry Matisse. When challenged with creating my own adaptation of a famous work of art in my high school ceramics class, I chose “Cat With Red Fish” by Henry Matisse.This, attached above, was in honor of my mothers artistic influence in my upbringing. Although my pottery skills didn’t create as much of a masterpiece as the great Matisse, “Cat With Red Fish” has had a place in my heart ever since.

 I would use this painting, in an educational setting, to explain the importance of colors in art. I would start by prompting them to come up with the conclusion that color is important themselves by asking them what they notice first about the art. I would then discuss cool and warm toned colors and what moods they can create in an art piece. I would then explain how colors tell a story. I would end the lesson with an activity for them to recreate the piece with whatever colors they think tells the story they have come up with for it.

 

 

2

 


 Imagination, movement, and emotion 

Daniela Vento

            The piece I chose for this assignment reflects a connection, both emotionally and personally, as it comes from an artist whose work I admire and whose creativity even has a place in my own home as I have one of his paintings.

            I chose this particular piece by Tony Rodriguez because owning one of his pieces has allowed me to experience his artistic voice beyond a classroom setting. Out of all the possible artworks I could have chosen, this one stood out because it captures imagination, movement, and emotion all at once, while also representing an artist whose perspective I genuinely value. That personal connection adds a layer of authenticity to my analysis, making the experience more engaging and real. I really feel this piece has potential life lessons and takeaways.

            The painting presents a young boy standing at the edge of a rooftop, overlooking a busy city below, yet what immediately captures attention are the large mechanical wings attached to his back. These wings are composed of intricate gears, cogs, and metallic elements, almost resembling a fusion between machinery and imagination. The complexity of the wings creates a powerful visual tension. The city beneath him feels distant and small, while the sky ahead appears open and full of possibility. The use of warm tones in the wings and cooler tones in the city further emphasizes this separation between grounded reality and limitless potential.


            I would use this artwork to teach a lesson centered around creativity, problem-solving, or

even goal setting. For example, in a regular classroom, this painting could be used as a visual prompt to spark discussion about ambition and innovation, asking students what the wings represent and what it means to build your own way to fly. I could talk about growth mindset and what great things could await if you are open to possibilities.  In a more analytical lesson, it could help students understand symbolism, encouraging them to identify how objects in art represent deeper ideas. This makes the artwork not just something to look at, but something to think through, interpret, and connect with their own experiences.

 

3

 


 

Emotions in real time

 Emily Rotenberg

For my art piece, I chose the dance “The Waiting Room” from Dance Moms. I chose this piece because it’s always been one of my favorite dances from the show. Growing up, I danced for eight years, so I have always appreciated how movement can be used to tell a story and convey emotion, especially because my favorite style of dance is contemporary. What I found most interesting about this piece is how the dancers are able to show feelings like nervousness, fear and comfort just through their movements and facial expressions. Unlike other forms of art, this dance makes you feel the emotions in real time, which makes it more engaging. I also liked that the story is not overly obvious, so viewers can interpret it in their own way. Overall, I chose this piece because it shows how powerful dance can be as a form of communication, story telling and art. 

“The Waiting Room” is a contemporary group dance choreographed by Abby Lee Miller for the TV show Dance Moms. The dance is about a waiting room where everyone is a total stranger,but they’re all stuck in the same heavy situation. You see them dealing with the shock of getting bad news, handling injuries, or even losing loved ones. The choreography really shows all the different emotions each person is going through, like anxiety, uncertainty, and hope. It just shows how people can lean on each other and find a connection in a waiting room, even if they don't know each other at all. The dance has sharp and soft movements and the music starts off softer and builds with intensity.

If I were to teach this dance for a lesson, I would focus on how movement can be used to express different emotions, inspired by the emotional storytelling in “The Waiting Room” from Dance Moms. I would begin by showing a short clip of the dance to introduce the idea that dancers can communicate feelings without speaking. Then, I would lead an activity where each student is assigned an emotion such as happiness, sadness, excitement, nervousness, etc…and students would create a short movement sequence that represents their emotion using body language and facial expressions. After practicing individually, students would then get into small groups to combine their movements into a short performance that shows a wider range of emotions. This would allow them to see how emotions can change and connect within a story and help students understand that dance is a form of communication, self-expression and most importantly, art.



4


The skill and patience of the artisans 

Charlotte Triulzi

I chose the Terracotta Army because they are not just beautiful sculptures, but also offer a  window into the history of ancient China. This is especially meaningful to me because I was born where these sculptures were discovered, and when my family came to adopt me, they visited them. While many art pieces can be impressive, the Terracotta Army stands out for its large scale, craftsmanship, and historical significance, showing that art was deeply connected to beliefs, power, and society.

The Terracotta Warriors are life-sized clay sculptures, each with detailed facial features,armor, and body build that make them look individual, even though thousands were created. They were originally painted, though much of the color has faded over time, and were arranged in precise military formations inside massive underground pits. This level of detail reflects the skill and patience of the artisans who sculpted them thousands of years ago.

To teach a lesson using the Terracotta Warriors, I would have students explore the connection between art and history. For example, they could research the purpose of the army and how it was created to protect Qin Shi Huang in the afterlife, which was a common belief at the time, as well as how it symbolized power. To connect this with art, I would have students draw their own protectors. Rather than copying the warriors, they could create a human, animal,or imaginary figure. After finishing, they would share with the class what they chose and what their figure protects. This makes the lesson both educational and engaging, while allowing for creativity.


5

 


 More real and intense

 
Allie Bishop

The Great Gatsby is a story written by F. Scott Fitzgerald in 1925. This is a story that has stood the test of time as it is taught in schools around the country. The story highlights the tragic love of Daisy and Gatsby, showing the dangers of living in the past. Gatsby spends years trying to regain Daisy’s love, and yet the illusion of things being exactly as they used to cloud his visions of reality. It has been adapted into a movie and most recently into a Broadway musical. The musical brings the story to life in a completely different way through music, acting, and visuals. The lighting, costumes, and set design make everything feel very dramatic and immersive, and the actors do a great job of showing the emotions of the characters. Seeing Gatsby and Daisy’s story play out live made it feel more real and intense than just reading the book or watching a movie.

I chose this piece because I grew up loving both the book and the movie. I always found the Jazz Age and the glitz and glamor of The Great Gatsby so interesting. However, underneath all the sparkle of the rich and luxurious life they live in the story, the underlying themes of chasing wealth and living in the past show the dangers of living without acknowledging reality. Getting to see the show on Broadway over winter break was a really special experience. I went with my family, which made it even more memorable because we were all able to enjoy it together. It felt like a new way of experiencing something I already loved, and it made me appreciate the story even more. Seeing it live made everything feel more emotional, and I felt more connected to the characters than I had before.

If I were to use this musical to teach a lesson, I would have students compare the different versions of The Great Gatsby, like the book, movie, and musical. I would have them compare how the themes of living in the past and chasing wealth are conveyed in each different medium. This would help them see how the same story can be told in different ways. We could talk about how music, acting, and staging change the way we understand the characters and themes. Although the book, movie, and musical all tell the story in vastly different ways, the overall emotion and themes of the story are portrayed in each one. I think this would help students not only understand the story better but also appreciate how creative and impactful different forms of art can be.

 

 7

 


 

 Power, Legacy, Ambition, and Vulnerability

 Melanie Llanes


I have chosen to write about a musical, Hamilton,written by Lin-Manuel Miranda. This musical is a play on Broadway that has been recorded and made available on Disney streaming services and theaters as a movie. It follows the story of Alexander Hamilton, a founding father of the United States, from his arrival to New York until his death and then the legacy he leaves behind.. Themes of power, legacy, ambition, and vulnerability are some of the musical's focal points. It features 47 songs, reflecting Hamilton's death at 47 years old. The songs are a blend of hip-hop, R&B, and pop music to show, “America then, told by America now”. Miranda explains his choice of a primarily Black and Hispanic cast, and his contemporary musical style was to bridge the gap between the past and present.


This musical is important to me because growing up I never liked history, frequently critiquing its unnecessary nature and endless facts that I could never seem to remember.Watching Hamilton on Broadway, during my senior year of high school, sparked an interest in me I never knew was possible and shifted my entire perspective on history. It sounds silly that people singing for 3 hours about one of the founding father’s lives somehow changed my mind, but the musical spoke to me in a way my history teachers never had. Hamilton helped me realize it was not history that I disliked but rather the way we were presented with the information in the classroom setting. By seeing the performance of Alexander Hamilton’s life, I was touched by the challenges he faced, the significance he had on our history, and the history of America as a whole. This play also piqued my interest in government, something that had always seemed unattainable and far fetched. Seeing how Hamilton worked restlessly to push his ideas, for example his 51 essays in the Federalist papers, reminded me that history is proof of how far we have come and how far we still have left to go. My interest in government had grown because I saw that one person can make a difference to our society, like he did.


There are many ways Hamilton can be used to teach a lesson. For one, at the high school or even middle school level the actual musical can be played in class. Many of the songs follow pivotal moments in the nation's founding such as, “Guns and Ships”, “Yorktown”, “Cabinet Battle #1”, and “The Room Where it Happens”. These songs can be analyzed in the classroom as an engaging way to teach students about the American Revolution. As well, a lesson can be created around students using Hamilton as inspiration to write their own songs and theater scenes focused on different historical events. This blend of the arts and history is something I think would shift students' perceptions of history as it did for me.

 

 

8

 


 Visualizing Calculus: Using Sketchnotes to Enhance Mathematical Understanding

 Emma Qian

The piece I selected is a set of sketchnotes based on calculus concepts, inspired by Nicole Fonger’s instructional approach presented in her lecture on making algebra and calculus more visually meaningful. The sketchnotes focus on derivative rules, including the product rule, quotient rule, and chain rule, and combine mathematical notation with hand-drawn visuals such as diagrams, arrows, and simple figures to guide understanding. The notes begin with a guiding question about how to approach derivatives when the process is unclear and then organize the solution into structured steps. Visual representations, including graphs and annotated expressions, are used to illustrate abstract mathematical relationships. The overall composition reflects Fonger’s emphasis on clarity, visual reasoning, and the use of sketches to support conceptual understanding rather than relying solely on symbolic procedures.


I chose this piece because it reflects both my personal learning experiences and the instructional philosophy presented in Nicole Fonger’s lecture. Traditional mathematics instruction often prioritizes symbolic manipulation without sufficient attention to how students interpret and internalize concepts. In contrast, Fonger’s approach highlights the importance of visual thinking and representation, which I have found especially meaningful for reducing confusion and increasing engagement. This piece is significant to me because it aligns with my academic interests in accessibility, labeling, and math anxiety. It demonstrates how alternative forms of representation can challenge the assumption that difficulty in mathematics reflects a lack of ability. Instead, it suggests that understanding can be shaped by how information is presented. For me, these sketchnotes represent a shift toward more inclusive and supportive approaches to learning mathematics.


I would use this piece in a high school or college classroom to teach derivative rules by incorporating visual scaffolding and guided explanation, consistent with the principles emphasized in Nicole Fonger’s lecture. I would begin by presenting the initial guiding question from the sketchnotes to frame the lesson and prompt students to consider problem-solving strategies. Each section of the sketchnotes would then be used to explain the corresponding rule,with attention to both the symbolic steps and the visual representations. Students would be encouraged to create their own sketchnotes to actively engage with the material and develop their understanding. This approach supports learning by integrating visual and verbal information, thereby improving comprehension and reducing cognitive overload. It also promotes a classroom environment in which students feel more confident approaching complex mathematical concepts through multiple forms of representation.


9


 

 Questions about Social Norms and Consent

 Lily Barz


I chose V-J Day in Times Square by Alfred Eisenstaedt because it captures a real moment in history rather than something staged or imagined. Out of all art pieces, this one stands out tome because it feels authentic and emotional, showing a spontaneous reaction to the end of World War II. I also like how it can be interpreted in different ways depending on the time period. While it originally symbolized celebration and relief, today it also raises questions about social norms and consent. That mix of historical importance and modern perspective makes it more interesting to me than other pieces.

The photograph shows a U.S. Navy sailor in a dark uniform leaning over and kissing a woman dressed in white in the middle of Times Square. The woman’s white dress contrasts sharply with the darker tones around her, making her stand out as the focal point along with the sailor. The background is filled with people walking and celebrating, but they are slightly blurred, which keeps the focus on the main moment. The positioning of their bodies creates a sense of movement, as if the moment happened suddenly. The black-and-white style adds to the historical feeling and highlights the contrast between the light and dark context of this image.

I would use this photograph in a classroom to teach a lesson about historical context and  interpretation. I would start by asking students what they think is happening in the image and what emotions they notice. Then, I would explain the significance of V-J Day and why people were celebrating at the time. After that, I would encourage students to think about how the image might be viewed differently today compared to the past. As an activity, students could analyze other historical photos and discuss how meaning can change over time. This would help them understand that art and images are influenced by both their original context and the perspective of the viewer.


10

The Dance Class, Edgar Degas, 1874

 

A dancer’s lifestyle.

ToLina McKinney
 

The piece I chose was a painting called The Dance Class by Edgar Degas.This piece stands out to me because I have been a dancer my entire life. Even though I no longer dance with a company, I still experience these rehearsal rooms and the tenacious spirit of the kids I teach. This piece shows the raw, uninhibited environment that dancers use to perfect their craft, and I love the realistic nature Degas decided to portray dancers in. It is a reminder of my life as a dancer and an authentic representation of a dancer’s lifestyle.


The Dance Class by Edgar Degas was made in 1874 and was oil painted on a canvas. The purpose of this painting was to focus on the behind-the-scenes work of ballet. Instead of focusing on the beauty on stage, he shifted focus to the rigorous labor and discipline off stage.The painting portrays realistic bodies, awkward poses, and the tough environment of a rehearsal room. In this piece, there are dancers everywhere, taking up every space in the room.There are some practicing dancers with dance teachers, some possibly looking in the mirror adjusting their leotards, dancers in the back waiting for their part to practice, and others talking and laughing with each other. The chaos that a rehearsal room can turn into is captured in this piece.


I would use this in a lesson about Impressionistic art and what role it played in our early society.I would teach them about the Impressionists and how they liked to create realistic art and“snapshots” before cameras were around. I would then give them an assignment to draw a snapshot of their own life, using real people and focusing on telling a story instead of getting the perfect picture. They would then reflect on their art piece and share why it is important to them.


11

Cultural identity and artistic expression

Aphroditi Anagnostopoulos


Art isn't just paintings and sculptures. It also includes music and dance, which are ways of expressing culture and heritage. Greek dance is a great example of this since it uses movement, rhythm, and history to tell tales and bring people together. It is a big element of Greek culture, and people still do it at parties and other events all around the world.

I chose Greek dance above other types of art because it shows both cultural identity and artistic expression. I also chose it since I grew up doing Greek dance, which made it very important to me. I learned not only the steps and rhythms, but also how to be disciplined, work with others, and love for my culture through my experience. Greek dance is different from a painting since you can participate in it and it is generally done in groups, which makes you feel like you belong. This makes it a one-of-a-kind and interesting art form to study and learn about.

When people do Greek dance, they usually do it in lines for circles, holding hands or connecting arms as they move together. Depending on the type of dancing, the motions can be leisurely and graceful or quick and energetic. Traditional music, which is sometimes played on instruments like the bouzouki, sets the rhythm and goes along with the dancers. The clothes can also be an important aspect of the show because they show off regional styles and add to the visual impact.

I would incorporate Greek dancing in a regular lecture by adding it to a history lesson. For instance, students could learn about Greek culture in a history class and then as a project they could do more research on a specific region and do a basic performance of a traditional dance to better grasp how important it is. Having something hands on like this allows students to remember it better, and connect with the lesson.


12


More Than Just a Song: My Connection to “drivers license”

 Sophia Radlovic

 

The piece I chose to write about is the song “drivers license” by Olivia Rodrigo. I chose this song because it connects to a really specific time in my life. When I first got my driver’s license at 17 years old, I would blast this song at full volume while driving. It was one of the first times I felt truly independent. I could just get in my car, go wherever the wind takes me, and be alone with my thoughts. I remember driving at night a lot with this song blasting in my car, and everything felt more intense than usual. It wasn’t even always about a relationship, it was more about that feeling of growing up and realizing things aren’t as simple as they used to be. With everything going on in life like school, social media, and friends, being alone in the car was one of the only times I could really think and feel everything without distractions. That is why this song means so much more to me than just being a “hit” song.

The song is about heartbreak and growing up, but it’s also about those quiet moments where you’re alone and in your head. It captures what it feels like when your thoughts start racing and everything feels more emotional than it should. The music starts off really soft with just piano, which makes it feel calm and almost empty at first. As the song goes on, more instruments come in and it builds, which makes it feel like your emotions are getting stronger and harder to control. Her voice also becomes more intense throughout the song, which adds to that feeling. The lyrics are simple but very honest. She expressed feelings of jealousy, sadness, and being replaced. These are feelings that many people can relate to. Even if someone hasn’t gone through the exact situation, the emotions feel real enough for anyone to connect with.

If I were to use this song in a lesson, I would use it to show how music connects to real experiences and emotions. I would have students listen to part of the song and think about a moment in their life that felt similar, like a time they felt independent, overwhelmed, or just really in their head. Then I would have them write about that moment and what they were feeling. After that, we could talk about how certain songs become tied to memories and why music can make moments feel 10 times stronger. I would want it to feel more like a real conversation instead of just a busy-work assignment. The goal would be to show that music isn’t just something we listen to for fun, but something that becomes part of our lives and helps us understand our feelings.

 

 

13

 

 Gusty Garden Galaxy: A Creative Blend of Art, Music, and Design

 

Joseph Allouche


“Screenshot from Super Mario Galaxy (Gusty Garden Galaxy), developed and published by Nintendo.”

Link to the Level.

 

Art can take many different forms, including paintings, music, and even video games.

Video games are a unique type of art because they combine visuals, sound, and interaction to

create an experience. One piece that stands out to me is Gusty Garden Galaxy from Super Mario

Galaxy, because it shows how multiple elements can come together to create something

memorable and meaningful.

 

I chose Gusty Garden Galaxy because it is one of the most visually and emotionally

engaging levels I have experienced. Out of all the art pieces I could have chosen, this one stood

out to me because it combines music, movement, and design in a way that feels very immersive.

I also have a personal connection to it since I remember playing it growing up, and the level

always felt exciting but also calm at the same time. Compared to other forms of art, this one is

interactive, which makes it more interesting and memorable.

 

The level takes place in a bright, open space filled with floating islands, grass, flowers,

and strong wind currents that move the player through the environment. The colors are very

vibrant, especially the greens and blues, which make the setting feel alive and natural. One of the

most noticeable parts is the music, which builds as the player progresses and adds to the feeling

of adventure. The design of the level guides the player naturally using wind and movement

instead of instructions. Overall, the piece creates a strong sense of motion, freedom, and

exploration.

 

I would use this piece in a classroom to teach how different elements of art work together

to create an experience. I would start by showing a short clip of the level and asking students

what they notice about the visuals and music. Then, I would explain how color, sound, and

movement can influence emotions and guide a person’s experience. After that, I would have

students design their own environment or level on paper, thinking about how they would use

color, sound, and layout to create a certain feeling. This would help them understand that art is

not just something you look at, but something you can experience and interact with.

 

Overall, Gusty Garden Galaxy is a great example of how modern art can go beyond

traditional forms. It shows that video games can be just as meaningful as paintings or music by

combining multiple elements into one experience. This piece highlights creativity, design, and

emotion, making it a strong example of how art can both entertain and teach.

 

 

14

 

 Milo Maniheim and Witney’s Freestyle Dance

 

Quincy Hytko

Art Piece: https://www.youtube.com/watch?v=a5rD2iahKrk

 

For my art piece I chose Milo Maniheim and Witney’s Freestyle Dance to “Aint No

Sunshine” on the show Dancing With The Stars. I chose this piece because I have been

a long time supporter of the show and this dance has easily been my favorite dances

ever performed on the show. Growing up, my grandmother loved to watch this show and

how the dancers could tell such a story just with their movement and emotions. She

instilled this love into me, and I too see how hard the dancers are working to perform

such difficult dances in order to tell a beautiful story. Ultimately, I decided on this piece

because it is a clear indication of how dance tells stories and can truly brighten up

someone's life, simply by just watching the performance!

 

In this piece, Milo Manheim and Witney Carson perform a simple and emotional

freestyle to “Ain’t No Sunshine” that feels more like telling a story than trying to impress

the audience. The dance starts slow, with soft and controlled movements that match the

sad mood and sharp beats of the song. Milo’s performance feels real and a little held

back, which makes the emotions come through more clearly. The two also use props

within the dance, umbrellas, which is tricky in a dance but they nailed it perfectly. Their

connection is really important, with moments where they move apart and come back

together to show missing someone. Overall, the dance stands out because it’s more

about feelings than big, flashy moves that tell such a great story.

 

A lesson inspired by Milo Manheim and Witney Carson’s freestyle to “Ain’t No Sunshine”

would focus on using movement to show emotion and tell a story. Students would start

with a short warm-up where they practice simple movements like walking, reaching, and

turning while changing their expressions to match different feelings, especially sadness

or loneliness. Then, after briefly discussing the emotions in the dance or song, students

would learn a few basic moves like reaching out, pulling away, and pausing, and use

them to create a short partner routine about missing someone and reconnecting. They

would perform their dances for the class and explain the story or emotion behind their

movements. The lesson would end by emphasizing that dance is not just about big

moves, but about expressing real feelings in a simple and meaningful way that tells a

real story.

 

15

 

 “Landslide” by The Chicks

Kate Lentine


 I chose the song “Landslide” by The Chicks because it feels really personal to me in a way no other song does. I grew up listening to it with my mom, so every time I hear it, it brings me back to those moments. I also feel like it connects a lot to where I am in life right now as a senior graduating college. There is so much change and so many unknowns, and the song really captures that feeling. This song feels emotional to me, and reflects both my past and present, which is why I would choose it over any other piece.

The song itself is really calm and uses soft guitar and vocals, which makes the lyrics stand out. It was originally written by Stevie Nicks, and the version by The Chicks keeps that same emotional feeling. The lyrics talk about life changing, getting older, and not always knowing what is coming next. It uses imagery like mountains and landslides to represent challenges and big life moments. The tone is reflective and emotional, but also comforting. It makes the listener realize that it is okay to not have everything figured out, which is something I relate to a lot right now.

If I were teaching a class, I would use this song to make a lesson feel more relatable and less boring. For example, in an English class, I would have students listen to the song and talk about the themes, then connect it to something they have experienced or something that we are reading in class. I think using a song to help analyze meaning would keep students stay engaged because it is something that they can actually feel and listen to. It could also be used as a writing prompt where students reflect on their own “landslide” moments in life. Overall, it makes the lesson feel more real and easier to connect to.

 

16

 La Sagrada Familia


Makayla Egert

 

 I chose La Sagrada Familia because of its unique architecture that blends with art and religion. This is somewhere I visited with my family years ago, and I found it super beautiful and interesting to see all the different sculptures, stained glass windows, and stories being told throughout the design. Recently, I had the chance to go back to Barcelona and visit it again with my friends who are abroad, and this time I was still just amazed by how the colors shine through the window, and the sculptures are able to tell the stories. Between my two different visits, I was able to see how much construction they have completed and added on, which was very cool to see the progress. Not only does this unique structure amaze me, but it also holds memories with both my family and friends. 

La Sagrada Familia is a basilica, an important Roman Catholic church recognized for its importance in history, religion, and architecture, designed by Antoni Gaudí. On the outside of the building, there are tall spirals that stretch upwards, and the facades are covered in many different sculptures that help to tell religious stories. On the inside, the columns resemble trees branching out toward the ceiling to create a forest-like environment. The stained-glass windows fill the space with colors that shift depending on the time of day and where the sun hits the glass. The combination of all of these elements, the height, light, texture, and symbolism, helps to make the space feel spiritual. 

I would use La Sagrada Familia to teach a regular lesson by connecting to different subjects such as math, art, and history. In math, students could look at the different shapes and patterns used throughout the design of this building on the inside and outside, or they could look at the symmetry and proportions used in the design by measuring or estimating and then compare the heights of the towers. Students could also be taught about 3D shapes by identifying them throughout the design. In art, the students could learn about Antoni Gaudí and how he used nature as an inspiration for parts of the building, such as the tree like columns. Students could also experiment with light and create their own stained-glass designs. Another art activity could be for students to create their own building designs, focusing on texture and details throughout their design. In a history class, students could learn about when and why La Sagrada Familia was built, and they could study Antoni Gaudí and how his ideas differed from traditional architecture and designs. Another activity in history could be focusing on how technology and other events have influenced the style and pace of the new construction of the structure today. 

 

 17

Art Piece - ghostin by Ariana Grande

Amanda Vasquez



I chose the song ghostin by Ariana Grande because it feels more real and emotional than most music. This song stands out to me because of how deeply it connects to human feelings. The lyrics are simple, but they hit hard, and almost anyone who listens can immediately feel something, whether it’s sadness, guilt, or empathy. It’s the kind of song that doesn’t just sound good, but actually makes you think and feel at the same time. That’s why I picked it over any other piece of art. 

In the song, Ariana is singing about a very painful situation, and you can hear that emotion in her voice. It’s known that this was one of the hardest songs for her to write, which explains why it’s so heartfelt and why there isn’t even a second verse. The production is soft and almost dreamlike, which makes the lyrics stand out even more. Her vocals are controlled but emotional, and they make you feel like you’re hearing something very personal. The way she sings makes the listener feel like they’re experiencing those emotions with her, not just listening to a song. 

If I were to use this song to teach a lesson, I would use it to help people understand emotions and empathy. For example, in a class, this song could be used to start a discussion about how people deal with grief, relationships, and complicated feelings. It could also connect to lessons about mental health or even writing, showing how powerful simple but honest words can be. By analyzing the lyrics, students could learn how art reflects real-life experiences and how music can be a way for people to express things they can’t always say directly.

 

 

18

 

 "Where'd All the Time Go?"

George Kavadias

https://www.youtube.com/watch?v=bmZQpbNK7t4

 

Music has a unique ability to capture fleeting moments, turning feelings into melodies we

can hold onto. For a senior at the University of Miami, the song "Where'd All the Time Go?" by

Dr. Dog serves as a perfect example of the bittersweet transition into post-grad life and feelings

of intense nostalgia for younger years.

 

This song stands out because its Indie, swirling production mimics the disorienting

feeling of time slipping away during one’s final semester. While other art might celebrate

endings, this track specifically taps into the "mourning" phase of nostalgia that many seniors feel

as they near graduation. The song features a driving, rhythmic pulse that feels like a ticking

clock, layered with melancholic vocals and guitar riffs. A key lyric that hits home is, "She went

to sleep in the garden / And she woke up on the sea," which perfectly describes the sudden shift

from the comfort of campus life to the vast unknown of the future. Plainly, the title of the song

also signifies the realization of the passing of a chapter ahead of you.

 

In a lesson, this song could be used to teach the concept of "Temporality" or how humans

perceive the passage of time. Students could analyze the lyrics to discuss how nostalgia often

reshapes our memories, making the past feel like a dream we just woke up from. Also it connects

to the simple saying: Time really does fly by when you're having fun. This is extremely evident

for someone at the end of their college career, looking back on positive experiences.

As the final notes of the song fade, it leaves the listener sitting with the weight of their

experiences. For a college senior, it is a reminder that while the years went by quickly, the

emotional impact of those years remains permanent.

 

19

Rimsky-Korsakov’s Scheherazade

Tommy Chapski


Rimsky-Korsakov’s Scheherazade - https://youtu.be/6exoB7IW8qw?si=Y_SLpTn-JWivVwot
As a musician, I am instantly drawn to choosing a piece of music when it comes to
projects like this. There are many aspects of music–especially classical music–that can be used
as a vessel to teach other subjects. I have decided to look at a tone poem, a type of symphonic
work written specifically to tell a certain story. Specifically, I will be looking into Nikolai
Rimsky-Korsakov's Scheherazade.


I chose this piece over the many other tone poems because of how well it executes what it
sets out to do. Written in 1888, this work tells the story of Scheherazade, a female character from
One Thousand and One Nights, a collection of Middle Eastern folktales. In the story,
Scheherazade recounts many stories to the king over a period of one thousand and one nights,
eventually changing the king from a monarch ruler to a kind and caring ruler. When you listen to
Rimsky-Korsakov's orchestration of this story, you can definitely hear the Middle Eastern
influences in terms of melody and harmony. His use of solo instruments is similarly impressive,
creating an intimate yet engaging atmosphere in the orchestra. Finally, he uses a variety of styles
and tempi (lyrical, technical, fast, slow) to portray a story through song.


The piece begins with The Sea and Sinbad’s Ship, meant to represent the ferocious
attitude of the tyrannical king in the story. The low brass enter abruptly with a motif showcasing
the king’s weight and attitude. The entire first movement feels as if the listener is rocking back and forth on a boat. The second movement, entitled The Story of the Kalendar Prince, opens
with Scheherazade’s motif played in the solo violin. The solo demonstrates beauty and
intelligence all in one. Throughout this movement, there are hints of the king’s dramatic reign.
Next, there is somewhat of an intermezzo, or light in between the drama. The third
movement–The Young Prince and the Young Princess–is a beautiful break from the king’s grasp
before the final movement. The Festival at Baghdad flies by quickly, as the tempo is very quick.
Articulated trumpets and soaring brass melodies encapsulate the feeling of a busy marketplace.
Finally, the piece ends with the solo violin once again, revealing that Scheherazade has indeed
changed the king’s heart.


I would use this piece to teach a language arts lesson. After listening to this piece–and
possibly some other tone poems–I would ask students to say what story they thought the music
was trying to tell before revealing the true meaning behind it. Other examples of tone poems
include Strauss’ Ein Heldenleben and Eine Alpensinfonie. Then, once the students have
understood how music can portray different emotions and stories, I would have them try and
come up with a story of their own. I would tell them to create stories that could become tone
poems. Creating stories full of epic adventures, sad tragedies, and varying endings would teach
creativity and language arts simultaneously.
My hope in using this piece of art would be to inspire students’ love of music and desire
to be creative. There is so much music out there that portrays all sorts or stories and emotions,
and my goal is to one day be able to convey those aspects to the best of my ability.



20

Guernica: Art as a Witness to History

 Carson Mastin

Guernica is a large-scale oil painting created by the Spanish artist Pablo Picasso in 1937. Measuring approximately eleven feet tall and nearly twenty-six feet wide, the monumental work was painted in response to the Nazi German bombing of the Basque town of Guernica, Spain, during the Spanish Civil War. Commissioned for the Spanish Pavilion at the 1937 Paris International Exposition, the painting depicts the aftermath of the attack with raw, unflinching power. Rendered entirely in shades of black, white, and grey, Guernica employs Picasso’s signature Cubist style to fragment and distort its subjects — a screaming woman clutching a dead child, a wounded horse, a bull, dismembered bodies, and a single electric light bulb casting a harsh glare over the chaos below. There is no color, no glory, and no heroism in the scene; only suffering. The absence of color itself feels deliberate, stripping war of any romanticism and presenting it as something cold, brutal, and absolute. Guernica has since become one of the most recognized anti-war statements in the history of Western art, residing permanently in the Museo Reina Sofía in Madrid, Spain.

 I first encountered Guernica at a young age, and the experience has stayed with me ever since. At the time, I did not yet understand everything the painting depicted, but I felt its weight immediately — the distorted figures, the open mouths frozen in screams, and the overwhelming darkness of the composition communicated something urgent and tragic even before I could fully articulate what I was seeing. When I learned the history behind it — that it was created in direct response to real people killed in a real attack on a real town — the painting took on an entirely new dimension for me. It was no longer just an image; it was a document of human suffering and a protest against violence. What makes Guernica so significant to me personally is the realization that art can carry historical truth in a way that textbooks sometimes cannot. Picasso did not illustrate the bombing with photographs or statistics. He translated grief, fear, and outrage into form and line, and the result is something that reaches across decades and speaks directly to the viewer’s emotions. That experience — of being genuinely moved and changed by a painting — is a large part of why the intersection of art and education matters so deeply to me.

 For my TAL 324 final project, I am teaching a lesson on the Order of Operations (PEMDAS) to middle school students. While Guernica may not connect directly to mathematics, it offers a powerful model for how I approach teaching: the idea that a single, carefully chosen artifact can open a doorway to deeper understanding. In a future cross-curricular or humanities lesson at the middle school level, I would use Guernica as the centerpiece of a unit on how artists respond to historical events. I would begin by displaying the painting and asking students to spend several minutes observing it silently before sharing what they notice, what they feel, and what questions arise. This strategy — looking closely before explaining — mirrors the “think first” approach I use in my PEMDAS lesson, where students attempt a problem before the rules are formally introduced. After the initial observation, I would provide historical context about the Spanish Civil War and the bombing of Guernica, then guide students to connect those facts back to the visual choices Picasso made: Why no color? What does the fractured style communicate that a realistic painting could not? Finally, students would create their own artistic response to a current event or historical injustice, choosing a visual style that reflects how the event makes them feel. Middle school students are at an age where they are beginning to form their own understanding of the world and their place in it. Guernica gives them both permission and a model for using creative expression to process and communicate that understanding.

 

21

  Van Gogh

 Bella Gerstein


Art has the ability to convey complex emotions and perspectives in ways that language often cannot. One piece that clearly demonstrates this is The Starry Night by Vincent van Gogh. I selected this work over others because of how effectively it communicates emotion without relying on realism. Many traditional paintings focus on accuracy and detail, but this piece feels more interpretive and personal. The movement in the sky and the strong contrast between light and dark create an immediate emotional response. Knowing that Van Gogh created this painting during a difficult period in his life adds even more meaning, showing how art can serve as an outlet for emotion and making it more impactful than works that focus only on technical skill.

Completed in 1889, the painting portrays a quiet village beneath a dramatic night sky. The stars and moon appear bright and almost glowing, surrounded by swirling patterns that create a sense of motion. In contrast, the village below is calm and still, which adds balance to the composition. A tall cypress tree stands in the foreground, drawing the viewer’s attention upward and connecting the ground to the sky. Van Gogh uses thick brushstrokes and bold colors, especially deep blues and bright yellows, to create a dreamlike atmosphere. Rather than aiming for realism, the painting emphasizes emotion and imagination, allowing viewers to interpret it in their own way.

In an educational setting, I would use this artwork in a 3rd grade classroom to support both creativity and language development. I would begin by asking students to describe what they see and how the painting makes them feel, encouraging observation and discussion. Then, I would guide them in creating their own artwork based on an emotion and have them write a short descriptive paragraph about it. This activity would help build writing skills while also encouraging self expression and creativity. Using The Starry Night in this way would show students that art is not just about accuracy, but about communicating ideas and emotions in a meaningful way.

 

22

Nighthawks by Edward Hopper

Cole Donnelly

Edward Hopper’s Nighthawks, painted in 1942, is one of the most iconic works of American realism. The oil painting depicts a late-night scene at a downtown diner, viewed through a large curved glass window from the outside looking in. Inside the diner, four figures are visible: a bartender in white leaning over the counter, a couple sitting side by side, and a lone man with his back to the viewer. The color palette is dominated by cool greens, deep shadows, and the warm yellow glow of the diner’s interior lights, which contrast sharply with the dark, empty street outside. There are no visible doors on the diner, which gives the scene an almost trapped or isolated feeling. The surrounding storefronts are closed and dark, and the sidewalk is completely empty, emphasizing the silence and stillness of the city at night. Hopper’s use of sharp lines and minimal detail in the figures keeps the focus on mood rather than narrative, making the viewer feel like a quiet observer passing by on a lonely night.

I chose Nighthawks because it captures a feeling I think most people can relate to but rarely know how to express: the strange loneliness of being surrounded by a city full of people yet still feeling completely alone. The first time I saw this painting in an art history class, I was struck by how quiet it felt even though it shows a public space. The people in the diner are physically close to each other, but none of them seem truly connected. The couple sits together, yet their body language suggests they are each lost in their own thoughts. The man sitting alone could be anyone—a student up late, someone who just got off a night shift, or someone with nowhere else to go. Hopper painted this piece shortly after the attack on Pearl Harbor, and knowing that context adds another layer of meaning. There is an unspoken tension in the scene, a sense of uncertainty about what comes next. That combination of beauty and unease is what draws me back to this painting again and again. It reminds me that art does not always have to tell a happy story to be powerful; sometimes the most meaningful pieces are the ones that sit with discomfort and invite the viewer to reflect.

If I were teaching a third-grade class, I would use Nighthawks as a starting point for a lesson on storytelling and observation. I would project the painting on the board and begin with a simple prompt: “What do you see?” This would encourage students to practice close observation skills by identifying the people, the setting, and the colors before jumping to conclusions. After students share their observations, I would shift to interpretation by asking, “How do you think the people in this painting are feeling? What makes you think that?” This kind of question helps young learners develop the ability to support their ideas with visual evidence, which is a foundational skill for reading comprehension and critical thinking. As a follow-up activity, I would have each student choose one of the figures in the painting and write a short paragraph from that person’s perspective, imagining who they are, why they are at the diner so late, and what they might be thinking. This exercise ties visual literacy to creative writing while also encouraging empathy, as students have to step into someone else’s shoes. By using a single piece of art as the anchor for the lesson, students would practice observation, interpretation, and narrative writing all in one engaging activity.

 

23

Kendrick never sugarcoats anything
 
 
Jasmine Lehot


Art has this ability to stop time and make you feel something you didn't even know you were holding onto. For me, nothing does that better than good kid, m.A.A.d city by Kendrick Lamar. I chose this album specifically because it doesn't really function like an album, it's more like a short film. It has a beginning, middle, and end, and every song builds off the last one. Most music makes you feel something, but this one gives you an entire world.

It drops you into Compton, California and makes you live inside the experience of growing up somewhere that feels like it's working against you. What makes it different is that it doesn't just talk about struggle. it shows it, through the production, the narration, the way Kendrick never sugarcoats anything. He's not telling you about his life from a distance. He's in it.

The album follows a teenage Kendrick navigating peer pressure, family, faith, and the streets he grew up on. The production shifts constantly. Some tracks feel slow and hazy, like a long afternoon with nowhere to be, and others feel frantic and urgent, like being somewhere you shouldn't be. "Swimming Pools" uses alcohol as a metaphor for all the things that pull young people away from who they're trying to become. What makes it feel so real is that Kendrick never positions himself as someone who figured it all out. He's still in the middle of it  which honestly makes it hit harder.

I'd use this album in a classroom(of older students)to teach narrative perspective and empathy. Students could listen to specific songs and break down how Kendrick being both the narrator and the main character shapes the way we understand his choices. I'd also have them write a short reflection connecting a theme from the album, like peer pressure or identity, to something in their own life. It builds critical thinking and writing skills, but more than that it shows students that art rooted in real experience can create genuine understanding even across completely different backgrounds. It's proof that expressing ourselves and tellng our stories, in whatever form it takes, is one of the most powerful tools we have.


24

Starry Night by Vincent van Gogh

 Aidan Zabriskie

 

Vincent van Gogh’s Starry Night, painted in 1889, is one of the most recognizable works of Post-Impressionism. The oil painting shows a swirling night sky over a quiet village, dominated by luminous stars and a bright crescent moon. Thick, expressive brushstrokes create spirals and waves of blue, indigo, and turquoise, while contrasting yellows and whites form the glowing celestial bodies. In the foreground, a dark cypress tree rises like a flame, connecting earth and sky. The village below is rendered with simpler, calmer strokes—rows of rooftops, a church steeple—giving a grounded counterpoint to the turbulent heavens. The strong motion in the sky and the bold use of color make the painting feel alive, as if the atmosphere itself is moving and breathing.

 I chose Starry Night because it captures a blend of wonder and restlessness that many people recognize but might not always name: the feeling of being small beneath something vast and beautiful that is also intense and overwhelming. The first time I saw this painting reproduced in a book, I was struck by how energetic and emotional the night sky looked—far from the static, distant stars I’d learned about in science class. The cypress tree’s dark, jagged silhouette and the sky’s luminous spirals suggest passion and tension alongside awe. Van Gogh painted this piece while staying at an asylum in Saint-Rémy-de-Provence, and knowing he struggled with mental health at the time adds poignancy: the painting seems to hold both turbulence and consolation.

 That mixture of beauty and turmoil is what keeps me returning to Starry Night; it’s a reminder that things can be both painful and profoundly beautiful at the same time. If I were teaching a third-grade class, I would use Starry Night to encourage observation, interpretation, and creative expression. I would start by projecting the painting and asking, “What do you notice?” to get students naming colors, shapes, and objects—stars, moon, tree, houses, swirls. After collecting observations, I would prompt interpretation with questions like, “How do you think the sky is feeling? How do the brushstrokes and colors help you decide?” This helps students support their ideas with visual evidence. For a hands-on follow-up, I would have students create their own “night sky” paintings using thick brushstrokes or finger-painting to mimic van Gogh’s swirling technique, then write a short sentence or two from the perspective of an element in their picture (a star, a tree, or a house). To connect art to science and well-being, we could briefly discuss what real stars look like versus van Gogh’s expressive stars, and end with a mindful minute where students look up at the real sky and notice how it makes them feel. This lesson combines visual literacy, creative writing, art technique, and empathy-building in one accessible activity.

 

25

 The Great Wave off Kanagawa by Katsushika Hokusai

 
Jack Codet

Art shows feelings and ideas in many different ways. One piece that really highlights this is The Great Wave off Kanagawa by Katsushika Hokusai. This artwork resonated with me because I have always been connected to the ocean and surfing, and this piece captures both the beauty and danger of it. Out of all the artworks I could have chosen, this one stood out to me because of the raw power and emotion. It shows how nature can be both amazing and overwhelming at the same time. I was really drawn to this piece because of the simplicity that still conveys so much.

This artwork was created in the early 1800s and shows a powerful wave forming and about to crash. The wave takes up the majority of the image and shows sharp curves and the power of the ocean. There are boats in the image, but they appear small and insignificant in comparison to the waves and their size. The color choice of mostly blue and white makes the piece feel cold and strong. The movement of the image makes it seem like it is actually moving.

In an educational setting, I would use this piece to show how art can convey strength and emotion even with something simple. I would ask the students what stands out to them in the image and what they feel when they look at it. Then I would go into detail about the parts of the image and what creates this feeling. For the activity, I would have the students create their own drawing of a powerful moment in nature, like a storm or big wave, and focus on showing emotion through their art. This would help students understand that art is not just what you see, but also what you feel.


26

 Bollywood fusion dance team

Supuli Salgado

Art piece: https://youtu.be/w61m1suONyA?si=Zo6-H5wJyGXlf0Qp

 

 For my art piece I chose the Coraline movie dance piece that me and my teammates performed for our competition. The reason I chose this piece because of how much work and dedication went into this piece of artwork not just by me collectively from everyone. Ujhoom is a Bollywood fusion dance team, it is made up of south Asian, Bollywood, jazz, bhangra, contemporary, hip hop, and semi classical pieces. All these different pieces make up a 8 minute dance. This dance piece brings together both south Asian culture and American culture together. The dance starts out with an intro video of the movie and throughout the dance each piece will be saying the story in chronological order of Coraline. There are also main characters in this dance piece normal mom/evil mom, normal dad/evil dad, coraline, and ghost child. Overall I chose this piece to tell you more about the creativity, hard work of this art piece and how it is perfect/an engaging lesson to teach about art in the classroom.

 Inspired by Coraline, our dance brings to life a world that is both magical and unsettling, exploring themes of curiosity, temptation, and the contrast between reality and illusion. Through movement, we portray Coraline’s journey as she is drawn into a seemingly perfect alternate world that slowly reveals a darker truth. The piece begins with a grounded contemporary segment, using fluid and emotive movement to express Coraline’s move to a new place and her feelings of loneliness and isolation. The energy then shifts into South Asian and Bollywood styles, where traditional movement evolves into high-energy storytelling, representing her discovery of the portal and entry into another dimension. The choreography transitions into Jazz, capturing the excitement and happiness she feels in this new world where everything seems perfect. This quickly intensifies into a powerful Hip Hop section, revealing the darker reality of the “Other Parents” and their sinister desire to trap her. A second contemporary segment follows, offering a moment of emotional depth and contrast. Through lyrical movement, it portrays the ghost children warning Coraline about the danger she is in The momentum builds into a vibrant Bhangra section, symbolizing Coraline’s strength as she fights back and escapes the other world. The performance concludes with a Semi Classical piece, blending grace and control to celebrate her return to reality and her newfound appreciation for her real parents. Through a fusion of styles and storytelling, this piece captures the tension between wonder and danger, taking the audience on a journey that is both captivating and haunting.

 If I were to teach this dance, I would focus on how movement can be used to express emotion and tell a story through different dance styles. The goal of the lesson would be for students to understand how choreography can communicate character development and emotional change without using words, similar to the storytelling in our Coraline inspired piece. I would begin the lesson by showing short clips from the performance to introduce how different styles represent different parts of Coraline’s journey. Students would then discuss how movement, energy, and facial expressions help communicate emotion and story. Next, students would be assigned an emotion or moment from the storyline such as loneliness, curiosity, happiness, fear, or escape and asked to create a short movement phrase that represents it using body language, dynamics, and facial expression. After practicing individually, students would work in small groups to combine their phrases into a short sequence that shows an emotional journey, similar to how our dance transitions through Contemporary, Bollywood fusion, Jazz, Hip Hop, Bhangra, and Semi Classical styles. This lesson would help students understand that dance is a form of storytelling, where movement can represent character, emotion, and transformation. It reinforces that choreography is not just steps, but a way to communicate meaning and connect with an audience and show off your creativity.


27

Cliff Walk at Pourville 1882 by Claude Monet

Madison Althoff

 

 For this final essay, I decided to choose this art work by Claude Monet titled Cliff Walk at Pourville 1882. I chose this art work because while scrolling through various artwork this one really spoke to me. My favorite place is the beach, which is very cliché but it truly is when I am at my happiest. When I see this picture I see myself at the beach, listening to the waves crash and the seagulls squawking in the distance. This picture just reminds me of relaxation and how I feel when I go to the beach. The water colors are very beautiful to me as well as the different variations of colors and brush strokes used in the grass of this painting. I love looking out into the sky at the beach and seeing the reflection of the sun in the water and this painting reminded me exactly of that feeling which is why I chose it.

 In this painting, I would describe it as seeing a high cliff side that is covered in very beautiful grass that contains different colors and maybe various flowers. There are two women standing with umbrellas blocking the sun’s rays while they glare in the distance observing the water and taking in the mesmerizing scenic view. The water is filled with waves as well as little boats showing that other people are enjoying the water that day just like the two women are on the cliff. The sky is filled with fluffy clouds. I feel like the two women in the piece where they are just observing nature and how beautiful it is. They are taking in the sight and enjoying every minute of it, which is something I personally love to do.

 I would use this art piece to teach a lesson by showing my students that this painting fully encaptures my idea of a perfect day and a painting that makes me feel genuinely happy. I would use this as an example and tell my students to find an art work that speaks to them and explain why their painting or work of art reminds them of a perfect day to get to know them and have them present in front of the class so the class and I can fully get to know each other to create a welcoming environment. I would then also have them try to recreate their favorite piece by adding a spin on it to make it even more unique to them. I think this would be a great exercise for students to do, to give them room and space to be creative in their own way.

 

28

 

  " Speech to the Young" Gwendolyn Brook 

 
Brenis Bostick

Gwendolyn Brooks’s poem Speech to the Young stands as a brief yet powerful meditation on resilience, growth, and the urgency of living fully in the present. Though concise, it carries a depth that speaks directly to those navigating hardship, making it an especially meaningful piece to explore in both personal and educational spaces.


I chose Speech to the Young over other works because of its direct, almost prophetic voice that speaks to struggle without romanticizing it. Unlike longer, more complex poems, Brooks delivers truth in a way that is both accessible and piercing. The poem does not ignore pain, but it refuses to let pain define the entirety of one’s existence. Its message, “Live in the along,” offers a perspective that is rare, one that values the process of living rather than just outcomes. I also chose this poem to serve as a constant message for both myself and my students as I venture into teaching in juvenile corrections. It will fuel my desire not just to teach, but to help transform my students into the best versions of themselves as they transition back into society. This makes it uniquely impactful, especially for young people who are often pressured to measure their worth by achievements or victories.

The poem opens with a call to address “the down-keepers” and others who embody negativity or limitation, immediately setting a tone of confrontation and awakening. Brooks uses inventive, almost rhythmic language like “sun-slappers” and “harmony-hushers” to personify forces that suppress joy and growth. The central line, “it cannot always be night,” serves as a turning point, offering hope grounded in inevitability rather than mere optimism. The closing lines shift the focus from triumph to endurance, urging readers not to live for victories alone but to find meaning in the ongoing journey. The structure is simple, yet the imagery and phrasing give it a lyrical and almost sermon-like quality.

In a classroom, this poem could be used to teach both literary analysis and life skills simultaneously. Students could examine Brooks’ use of figurative language and tone while also reflecting on the poem’s message about resilience and presence. For example, a lesson could involve students identifying the “down-keepers” in their own lives, whether internal doubts or external pressures, and then writing their own short poems or reflections in response. This would not only build their analytical skills but also encourage emotional awareness and expression. In a broader sense, the poem could anchor discussions about perseverance and transformation, helping students understand that growth often happens in the “along,” not just at the finish line, but in the daily decisions they make as they rebuild their lives. Speech to the Young is more than a poem. It is a reminder that life is not defined by singular moments of success or failure, but by the continuous act of living. Through its vivid language and grounded hope, Brooks offers a message that is both timeless and urgently relevant, making it a powerful tool for both personal reflection and meaningful teaching, especially in spaces where transformation and second chances matter most.

File  speech-to-the-young-speech-to-the-progress-towar.jpg (105.666 KB)

 

 29

  Hadestown

 Zachary Cooper- de Quesada

 

I chose to write about the Broadway musical Hadestown, created by Anaïs Mitchell. It’s a retelling of the Greek myth of Orpheus and Eurydice, but in a way that feels really modern and emotional. The song Wait for Me stands out as one of the most powerful moments in the show. It happens when Orpheus decides to go in to the underworld to try to bring Eurydice back, even though he knows how risky and uncertain that journey is. The song starts off slow and then builds into something really intense, both musically and visually, especially with the staging and the lights representing the path through the underworld. It captures themes like love, hope, sacrifice, and taking a risk for something that really matters. Even if someone doesn’t fully know the story, the emotion in the song alone makes it really impactful.

 I chose “Wait for Me” because it’s one of those songs that genuinely gives me chills every time I hear it. There’s something about the idea of choosing to keep going, even when you’re not sure how things will turn out, that really resonates with me right now. As I’m getting ready to graduate and move into grad school and a completely new chapter, there’s a lot of uncertainty, and I feel like I relate to that moment of just deciding to move forward anyway. Orpheus isn’t guaranteed anything, but he still goes, and that mindset is something I’ve been thinking about a lot. The song also reminds me how powerful belief can be, not just in other people, but in yourself and your purpose. It feels very real and human, which is why it sticks with me so much. I would use “Wait for Me” in a high school classroom, probably around 10th or 11th grade, to teach students about theme and emotional storytelling through music.

 I would start by having students listen to the song and reflect on how it makes them feel before even analyzing the lyrics. Then, we would break down the lyrics together and identify themes like perseverance, love, and risk-taking. To make it more interactive, I would include a tableau activity where students create frozen scenes that represent different parts of the song or the emotions within it. This connects to what we’ve done in class and helps students engage with the story in a more hands-on way. I would also include a short reflection where students connect the idea of taking a risk or holding onto hope to their own lives. This kind of lesson not only builds analytical skills, but also helps students see themselves in the material, which makes it more meaningful.

 

30

 The Persistence of Memory by Salvador Dalí

 

Alec Rodz

 

 The Persistence of Memory is an oil on canvas painting created by Salvador Dalí in 1931, currently on display at the Museum of Modern Art in New York City. The painting shows a flat, open landscape with a rocky coastline in the background and a wide, empty surface in the foreground. Draped across various objects are several soft, drooping watches that appear to be melting, while one closed watch is crawling with ants. The muted palette of warm browns and cool blues gives the scene a quiet, almost lifeless quality. Dalí was a central figure in the Surrealist movement, and this piece captures Surrealism’s goal of blending dream-like imagery with realistic detail to create something that feels both familiar and deeply unsettling.

 I chose this painting because it has always stuck with me in a way that is hard to explain. What draws me to it is how Dalí takes something as concrete as time and makes it feel soft and unreliable. That idea resonates with me personally because it reflects how time can feel in real life, sometimes slow and heavy, and other times like it has slipped away completely. The painting also matters to me because Dalí never gave one definitive meaning for it, and that openness is part of what makes it so powerful. It invites people to bring their own experiences to it, which I find genuinely valuable in any piece of art.

 This painting would work well as a teaching tool in a tenth grade classroom. I would start by projecting the image and asking students to write down what they see and what they think it means, separating observation from interpretation. After sharing responses, I would introduce Surrealism and give some background on Dalí, including his interest in Freudian ideas about dreams. Students would then write a short personal essay about a time when their own sense of time felt distorted. Using a painting like this makes the lesson feel more like a conversation than a lecture and gives students a concrete entry point into abstract thinking

 


31

 Toy Story and the Solar System Toy Story

Zak Rosenblatt

 

 Toy Story and the Solar System Toy Story, released by Pixar in 1995, is an animated film that follows a group of toys who come to life when their owner is not around. The story centers on Woody, a classic cowboy doll, and Buzz Light year, a space ranger action figure who genuinely believes he is on a real intergalactic mission. Buzz is dressed in a white and purple spacesuit, and speaks with authority about planets, galaxies, and light years. Buzz carries himself as though the fate of the universe depends on him. The film uses color, movement, and humor to bring these characters to life, but underneath the entertainment is references to space exploration and the solar system.

 It is a movie that presents big ideas about the universe in a way that feels exciting. While this course often focuses on visual artwork, I chose to reflect on a film because movies were the art form that shaped me most growing up. Toy Story matters to me because it was one of the first times I remember feeling genuinely curious about space as a kid. Watching Buzz talk about star command and distant galaxies made outer space feel real and worth exploring, even if I did not fully understand what any of it meant yet. That kind of curiosity is hard to find especially in today's world. The fact that a movie about toys managed to spark so much curiosity says something about how powerful the right story can be. 

The film does not teach the solar system directly, but it creates a sense of wonder that makes you want to know more. For me, that is exactly what good art does. It opens a door.To use Toy Story in a third grade solar system lesson, I would start by showing a short clip Buzz talking about space and ask students to share what they noticed. From there, students would create a planet passport, a small booklet where they draw and label each of the eight planets and write one fun fact about each one. This gives students a hands-on way to learn the planets while keeping the excitement of the movie alive. By connecting a film they already love to real science, the content becomes easier to remember and students stay engaged throughout the lesson.

 

32

 

  "The Ten" by Virgil Abloh

 
Colby Gilmore

For my final essay I chose "The Ten" by Virgil Abloh, which was a 2017 collaboration between his fashion brand Off-White and the famous and iconic Nike. I chose this piece because I have been into fashion and reselling for a long time and this collaboration was always my idea of perfect art in the fashion world. I buy and sell on sites like Grailed and eBay, and Virgil is honestly one of the main reasons I started caring about clothes and sneakers because of his major culture impact. Growing up I always thought art was just paintings in a museum, but Virgil kind of changed that for me. He showed that a sneaker could be a piece of art too. I think what stood out to me the most is that he took ten of the most famous Nike shoes ever made and completely flipped how people looked at them. As someone studying marketing who wants to build brands one day, his work feels like a blueprint for how art and marketing can be the same thing when you do it the right way.

"The Ten" is a collection where Virgil took ten of Nike's most popular shoes and basically took them apart and put his spin on each. Some of the shoes included are the Air Jordan 1, the Air Force 1, the Air Max 90, the Air Presto, and the Converse Chuck Taylor. Instead of making a totally new shoe, he kept the original silhouettes but added details that showed his personality and touch on the art. Each one has exposed foam, hand stitched parts, a little orange zip tie on the laces, and the word "AIR" written in quotation marks on the side that really emphasize his techniques. The quotation marks ended up becoming one of his signatures and you can see them all over his other work too. He also released a book with the collection that explained his thought process, which hiughlighted his iconic process with teh brand as they collab and discussed ideas. The whole thing kind of looks like a behind the scenes version of shoes everyone already knows.

If I were to use "The Ten" to teach a lesson, I would use it to talk about branding and how the value of something comes from the story behind it, not just the product itself. I think this lesson would work best for high school or college students in a marketing or design class. I would start by showing the class a regular Air Force 1 next to the Off-White Air Force 1 and ask them why one resells for under a hundred dollars and the other goes for over a thousand. After that I would explain how Virgil used small details, like the zip tie and the quotation marks, to make the shoe feel like it was part of a bigger cultural moment. To end the class I would have students pick a basic everyday item, like a water bottle or a backpack, and redesign it the same way Virgil redesigned the shoes. They would also have to write a short paragraph about what story their design is telling and who they made it for. I think the main thing I would want them to take away is that good branding is not about making something brand new, it is about making people see something they already know in a new way.

 

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